The Erin Pearson Collection

A private collection · Brisbane

Approaching Storm

Ann Snell

The Work

This piece holds a special place in the collection — it's the one that started it all.

Medium
Watercolour on paper
Image size
495 mm x 320 mm
Framed size
715 mm x 550 mm
Catalogue
0025

Provenance

I came across it very early in my framing career, only a year or so in. Ann was a client of the shop, and the moment I saw this piece I was completely taken with it — that wind-bent tree holding its ground against a sky about to break. I didn't have the means to buy it myself, so I did what any besotted nineteen-year-old would do: I begged my mother to buy it for me for my birthday. She did.

I had no idea at the time what that gift would set in motion. What began as one painting I couldn't stop thinking about slowly, and then not so slowly, became a habit, then a passion, then something closer to an obsession — a lifetime of seeking out pieces that stopped me in my tracks the way this one did. Every artwork in this collection, in a sense, is a descendant of this one.


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Framing

It was framed at the shop where I worked at the time, in a lovely green and gold mottled frame, with rag matting and traditional hand-applied French lines — the very first piece I ever had a hand in bringing to life through framing, before I knew that would become my life's work too.

About Ann Snell

Ann Snell was a Brisbane-based watercolourist, painting and selling locally around the turn of the millennium. Little else is documented publicly about her practice, but her work carries the confident, observational hand of someone who had spent real time painting the Australian coast — its light, its moods, its trees bent sideways by decades of wind.