The Erin Pearson Collection

A private collection · Brisbane

Jubilee

H. A. von Behr (New York)

The Work

A dramatic pictorialist study titled "Jubilee" — a nude figure captured mid-movement, arms raised overhead in a gesture of exultation, head tilted back. Rendered in the soft-focus, high-contrast style typical of the pictorialist movement, with a dreamlike, almost sculptural quality to the pose and lighting.

Photograms of the Year was the longest-running and most prestigious photography annual of its era, published in London from 1895 to 1962 as "The Annual Review of the World's Pictorial Photographic Work." Compiled by the editors of The Photogram — a magazine founded in the 1890s by Henry Snowden Ward and pioneering photographer Catharine Weed Barnes — the annual showcased the very best of pictorialist photography from around the world each year, reproduced in high-quality tipped-in plates alongside critical commentary. Pictorialism treated the photograph as a deliberately composed, painterly work of art rather than a simple document — soft focus, dramatic light, and careful staging in service of mood and beauty over documentary accuracy.

Year
1941 (published)
Medium
Halftone plate, from Photograms of the Year 1941
Image size
160 mm x 205 mm
Framed size
415 mm x 500 mm
Catalogue
0058

Provenance

This plate comes from my own copy of Photograms of the Year 1941 — the earliest and, to me, most beautiful of a full collection of these annuals my mother gave me when I began studying photography in 1997, back when photography still meant film. Most of the annuals I owned were hardbound, but this 1941 edition was a soft-covered, aged copy, and the plates inside were extraordinary. I treasured this book for years before deciding the images were too beautiful not to be seen properly, and selected several to frame for my studio.


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Framing

Framed with UltraVue glass and 8-ply cotton rag matting, using a custom finish I developed myself: real graphite powder worked over Australian hardwood — "Tasmanian Oak," so called, though the name is a long-standing invention of the Australian timber industry rather than a genuine species — to create a soft, photographic grey that echoes the tonal quality of the plate itself.

About H. A. von Behr (New York)

I've done as much research as I can into H. A. von Behr, listed here as working out of New York, but very little has survived about him individually. Many contributors to these annuals were accomplished amateur and salon photographers rather than widely documented names, and his specific story appears to be one of those lost to time.